No. 6
Dark Age
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Thomas Frank’s “Why Johnny Can’t Dissent” is a once-in-a-generation lament that made punk rockers everywhere gasp at the futility of their attempts at rebellion. Meanwhile, Keith White turns his guns on Wired Magazine, Stephen Duncombe subjects himself to corporate edutainment, and Seth Sanders braves the theme-restaurant wasteland of Chicago’s River North. Joanna Coles describes the collapse of publishing while Charles Bernstein finds a few signs of life. Will Boisvert decodes the management theorists. Tom Vanderbilt bemoans the imperial arrogance of advertisers. David Berman recalls his time as a security guard at the Metropolitan Museum of Art.
Published: December 1994
Pages: 192
